This is the last film of this documentary series. Our discussion questions:
- How did Russia's leaders use art, according to Andrew Graham-Dixon?
- Why was St Petersburg rejected in favor of Moscow as the country's new capital?
- What is meant by a "rallying cry"?
- Rodchenko was saying "yes" to construction and engineering. What was he saying "no" to?
- In announcing the "death of painting," what did artists expect would replace it?
- What was Vladimir Shukhov's "forgotten constructivist masterpiece"?
- What is the ironic reference in Graham-Dixon's statement, "the word according to Lenin"?
- What did the Bolsheviks replace the church with? What bible-like function did it serve?
- "That individual voice had to be suppressed" for the sake of what, according to the narrator?
- What made Stakhanov a role model?
- Who is missing from the Metro's pantheon of heroes?
- What is prophetic about Deyneka's decorations in Mayakovsky station?
- At the New Tretyakov Museum, what painting was Graham-Dixon looking for in particular? Why does he call it "reactionary"?
- How did Alexander Kamensky express his individual viewpoint?
- How (in English!) does Nikolas Nikogosyan compare Soviet ideals with today's realities?
- What is the "limited thaw" referred to by Graham-Dixon that followed Stalin's death?
- Some of the art generated to celebrate the Soviet Union's space achievements remind Graham-Dixon of what earlier period of Soviet art?
- Why did Graham-Dixon visit Tatiana Levitskaya? What did he want to see at her home? What was the happiest moment of her life?
- The artists on exhibit at Igor Markin's private museum seem to be asking what, according to the narrator?
- What does it mean "toe the party line"?
- What has Zurab Tsereteli removed from the old Communist ideal of art?
- What is the meaning of Andrei Molodkin's use of oil?
- What would Molodkin like to do with the world?
- What is the historical cycle that helps Graham-Dixon understand Russian history and art?
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